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Dolly Parton

Dolly Parton Reacts To Beyoncé’s ‘Jolene’ Cover Version: “You’re Not Getting Him!”

Dolly Parton has praised Beyoncé’s powerful reimagining of her 1973 country classic Jolene, calling the version featured on Cowboy Carter “honouring” and “magnificent”. In a recent interview with People, the country legend opened up about how it felt to hear Queen Bey’s fierce new take on the song, which flips the original’s vulnerability into defiance.

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Taylor Swift Officially Owns Her Entire Music Catalogue After Buying Back Big Machine Masters

Taylor Swift has reclaimed ownership of her entire discography, marking the end of one of the most high-profile music ownership battles in modern history. In a statement posted to her website on 30 May, the global superstar announced: “All of the music I’ve ever made now belongs to me.” The move comes after Swift struck

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Amazon Drops Exclusive Oasis Merchandise Collection Ahead Of ‘Live ’25 Tour’

Amazon has launched an exclusive Oasis merchandise range, celebrating the legendary Britpop band’s 30-year legacy just in time for their highly anticipated Oasis Live ’25 Tour, which kicks off in Cardiff on 4 July 2025. The first drop features “Knebworth 1996” t-shirts, long-sleeves, and sweatshirts, emblazoned with the iconic Oasis logo and a bold Union

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Morgan Wade Announces New Album The Party Is Over (Recovered) – Out 1 August

Morgan Wade is making a powerful return with her fifth studio album, The Party Is Over (Recovered), set for release on 1 August 2025. Known for her raw emotional honesty and Americana-meets-alt-rock style, the 30-year-old singer-songwriter dives deep into her past with a collection of reimagined songs that offer a window into her early career—and

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Blackbirds (2014) – Fingersnap

Blackbirds was first performed by David McAlmont and Guy Davies during a series of live gigs in 2012 when they were promoting their debut EP Smokehouse as ‘Fingersnap’. The track found itself becoming a favourite with audiences. David McAlmont: “I’ve worked hard in recent years to free myself from the despair that increasingly preceded my lyric

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